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<channel>
	<title>Design Typography</title>
	<link>https://designtypography.com</link>
	<description>Design Typography</description>
	<pubDate>Tue, 27 Jul 2021 16:37:38 +0000</pubDate>
	<generator>https://designtypography.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Homepage</title>
				
		<link>https://designtypography.com/Homepage</link>

		<pubDate>Mon, 26 Jul 2021 10:39:16 +0000</pubDate>

		<dc:creator>Design Typography</dc:creator>

		<guid isPermaLink="true">https://designtypography.com/Homepage</guid>

		<description>
	Design Typography




Creative direction – with beautiful brand, editorial, and environmental design – by Brad Yendle&#38;nbsp;</description>
		
	</item>
		
		
	<item>
		<title>Luis</title>
				
		<link>https://designtypography.com/Luis</link>

		<pubDate>Mon, 26 Jul 2021 10:39:14 +0000</pubDate>

		<dc:creator>Design Typography</dc:creator>

		<guid isPermaLink="true">https://designtypography.com/Luis</guid>

		<description>
	Luis












Inclusive, everyday cycling brand, inspired by the 1970s professional cycling scene. 










 The gestural logo reduces to a single bold french script — using Roger Excoffon’s Banco from the 1950s — which animates graphically suggesting the upward curve of a mountain road.&#38;nbsp;I was born in 1973, that year Spanish cyclist Luis Ocaña won the Tour de France.






	

	

	Case study details︎ Brand identity
︎ Editorial art direction︎ Website design (Sketch, Shopify)︎ Animation (After Effects)


︎ Bespoke typography

︎ Print design︎ Social media design

	
	

&#60;img width="2750" height="1547" width_o="2750" height_o="1547" data-src="https://freight.cargo.site/t/original/i/0113310bed0615c2a62835730db331cb2145bb1a6b7f11efafc58e26f8192910/LUIS_2_poster_mockup.png" data-mid="116799865" border="0"  src="https://freight.cargo.site/w/1000/i/0113310bed0615c2a62835730db331cb2145bb1a6b7f11efafc58e26f8192910/LUIS_2_poster_mockup.png" /&#62;
&#60;img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/97be886154cb6ef3fe4dc0f07511121c63a4462e3c54adf38f8cca1c0420ca61/16x9_Luis.png" data-mid="116799254" border="0"  src="https://freight.cargo.site/w/1000/i/97be886154cb6ef3fe4dc0f07511121c63a4462e3c54adf38f8cca1c0420ca61/16x9_Luis.png" /&#62;&#60;img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/185db8b832c08857e8d2dadebc1e894ea1fa7f35d54be4a4d3d0dd3aaa1cb42b/16x9_BradYendle_DesignTypography_Luis1.png" data-mid="116875964" border="0"  src="https://freight.cargo.site/w/1000/i/185db8b832c08857e8d2dadebc1e894ea1fa7f35d54be4a4d3d0dd3aaa1cb42b/16x9_BradYendle_DesignTypography_Luis1.png" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>RSH+P</title>
				
		<link>https://designtypography.com/RSH-P</link>

		<pubDate>Tue, 27 Jul 2021 10:45:37 +0000</pubDate>

		<dc:creator>Design Typography</dc:creator>

		<guid isPermaLink="true">https://designtypography.com/RSH-P</guid>

		<description>
	
RSH+P
A bold graphic system for Rogers Stirk Harbour + Partners advertising their global architecture. Working with their in-house design team, using an existing colour palette and custom font created for them by A2 Type. The system works across a variety of cover designs that feature photography, drawings and illustrations — but enables their architecture to always be the star of the show.&#38;nbsp; &#38;nbsp;


	

	
	Case study details︎ Editorial art direction︎ Print design

&#60;img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/4f8fbd4382ed9b20bd8c083d2c5fee6c50c362c84b40217cc573a127848583cd/16x9_DesignTypographyBradYendle_RSHP_3.png" data-mid="115969353" border="0"  src="https://freight.cargo.site/w/1000/i/4f8fbd4382ed9b20bd8c083d2c5fee6c50c362c84b40217cc573a127848583cd/16x9_DesignTypographyBradYendle_RSHP_3.png" /&#62;&#60;img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/942ed9e5c8dcf9b5a4a77c096ce9f623007b6020fe9e2a755e6fa85206997c67/16x9_DesignTypographyBradYendle_RSHP_2.png" data-mid="115967933" border="0"  src="https://freight.cargo.site/w/1000/i/942ed9e5c8dcf9b5a4a77c096ce9f623007b6020fe9e2a755e6fa85206997c67/16x9_DesignTypographyBradYendle_RSHP_2.png" /&#62;&#60;img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/bbc4a77c8b3702322519bdcf1c01cb796998eb7869c7c5fa53e622edb6140ce5/16x9_DesignTypographyBradYendle_RSHP_1.png" data-mid="115967307" border="0"  src="https://freight.cargo.site/w/1000/i/bbc4a77c8b3702322519bdcf1c01cb796998eb7869c7c5fa53e622edb6140ce5/16x9_DesignTypographyBradYendle_RSHP_1.png" /&#62;

</description>
		
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	<item>
		<title>Architects' Journal</title>
				
		<link>https://designtypography.com/Architects-Journal</link>

		<pubDate>Mon, 26 Jul 2021 10:39:15 +0000</pubDate>

		<dc:creator>Design Typography</dc:creator>

		<guid isPermaLink="true">https://designtypography.com/Architects-Journal</guid>

		<description>
	
Architects’ Journal
From 2009 to 2016, my team and I designed over 350 issues of AJ, mostly in print, but also in digital editions. I managed bespoke publications for Hopkins Architects, V&#38;amp;A and Westfield – that were issued with the magazine. Also designed were small to medium scale exhibitions for AJ Small Projects, Kiosk and Sinan at New London Architecture, and in Bologna, Italy.&#38;nbsp;

	

	
	

	Case study details︎ Editorial art direction︎ Print management of weekly magazine︎ Design of digital issues
︎ Digital design︎ Illustration / typography commissions
︎ Exhibition design︎ Team management
&#60;img width="2000" height="1125" width_o="2000" height_o="1125" data-src="https://freight.cargo.site/t/original/i/96ba1e80b8dff31d149001a9fd6557a05d1ade74e4d5811794b916ee53235524/AJ-bauhaus-animation.gif" data-mid="114972387" border="0"  src="https://freight.cargo.site/w/1000/i/96ba1e80b8dff31d149001a9fd6557a05d1ade74e4d5811794b916ee53235524/AJ-bauhaus-animation.gif" /&#62;︎︎︎ Die-cut cover, revealing a portrait of Bauhaus teachers and members. The inside front cover advertising was adjusted to enable this special issue hommage to Kandinsky, Gropius and Breuer. &#38;nbsp;
&#60;img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/d2352f6a34db88ac3670330219ebd41ed0f68388fb5f6cbfcf46ee920b63a851/16x9-AJ-test-3-up-12x.png" data-mid="115399061" border="0"  src="https://freight.cargo.site/w/1000/i/d2352f6a34db88ac3670330219ebd41ed0f68388fb5f6cbfcf46ee920b63a851/16x9-AJ-test-3-up-12x.png" /&#62;︎︎︎ (L-R) IM Pei photographed in the 1960s by Arnold Newman. Stirling Prize abstract jigsaw. Detail of Enzo Ferrari Museum facade.&#38;nbsp;&#60;img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/4a994b11d234590e430336cb086f66291a9a14880b9cfbafc46a6efe1a9b3605/16x9-AJ-test-3-up-22x.png" data-mid="115399062" border="0"  src="https://freight.cargo.site/w/1000/i/4a994b11d234590e430336cb086f66291a9a14880b9cfbafc46a6efe1a9b3605/16x9-AJ-test-3-up-22x.png" /&#62;︎︎︎ (L-R) Debut of a new, softer typographic system, photo by Charles Hosea. AJ100 graphic by Sosuke Suguira. Jørn Utzon in Mallorca, photographed by Anthony Coleman.
 

&#60;img width="3200" height="2400" width_o="3200" height_o="2400" data-src="https://freight.cargo.site/t/original/i/16c4f97ee07ece13434b1e3f1f31d9d2f95e51331e4b17b88fbf0dba2dc72063/16x9-AJ-test-Landscape2x.png" data-mid="115565341" border="0"  src="https://freight.cargo.site/w/1000/i/16c4f97ee07ece13434b1e3f1f31d9d2f95e51331e4b17b88fbf0dba2dc72063/16x9-AJ-test-Landscape2x.png" /&#62;︎︎︎ Architecture is landscape&#38;nbsp;... a&#38;nbsp;rotated&#38;nbsp;1970s&#38;nbsp;AJ spread, with Franklin Gothic Condensed as headline font. I reintroduced the typeface, and commissioned Phil Baines to set it how it looked in the past—with tight hairline letterspacing—as part of a full redesign of the magazine in 2015. &#38;nbsp;&#38;nbsp;

&#60;img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/9406bf57b7df5cd5c5f81896a0419326f38b7dc43cbb4055c701b01642beeaeb/16x9-AJ-test-AJ100-Foster2x.png" data-mid="115397103" border="0"  src="https://freight.cargo.site/w/1000/i/9406bf57b7df5cd5c5f81896a0419326f38b7dc43cbb4055c701b01642beeaeb/16x9-AJ-test-AJ100-Foster2x.png" /&#62;︎︎︎&#38;nbsp;AJ100 news spread with infographics, Norman Foster portrait by Ben Blossom.
&#60;img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/eaa9fbe54de848f72ed63dd1174e44df8db5dec4fb40c25fd7889002ab4cf7d0/16x9-AJ-test-FAT2x.png" data-mid="115397105" border="0"  src="https://freight.cargo.site/w/1000/i/eaa9fbe54de848f72ed63dd1174e44df8db5dec4fb40c25fd7889002ab4cf7d0/16x9-AJ-test-FAT2x.png" /&#62;
︎︎︎ Special issue guest edited by FAT, cover photography by Charles Hosea.&#60;img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/86a6482cbc69c519ab3657ff0f4965a5d45b77c911a54011b238e6cedc81714d/16x9-AJ-test-Charette2x.png" data-mid="115397104" border="0"  src="https://freight.cargo.site/w/1000/i/86a6482cbc69c519ab3657ff0f4965a5d45b77c911a54011b238e6cedc81714d/16x9-AJ-test-Charette2x.png" /&#62;︎︎︎&#38;nbsp;Charrette issue, using Margaret Calvert and Jock Kinneir’s Transport typeface on the cover.&#38;nbsp;
</description>
		
	</item>
		
		
	<item>
		<title>Qlik</title>
				
		<link>https://designtypography.com/Qlik</link>

		<pubDate>Tue, 27 Jul 2021 16:37:38 +0000</pubDate>

		<dc:creator>Design Typography</dc:creator>

		<guid isPermaLink="true">https://designtypography.com/Qlik</guid>

		<description>
	
Qlik
 A new print magazine for American data company Qlik, presenting a key product – ‘Active Intelligence’. Art directed and designed with Brud via Brands2life. Features an infographic tip-in, and colourful illustrations by Thomas Hedger.

	


	
	

	Case study details︎ Editorial art direction
︎ Infographic design

︎ Illustration commissions
︎ Social media design



&#60;img width="4400" height="3200" width_o="4400" height_o="3200" data-src="https://freight.cargo.site/t/original/i/98640199c3435a6fc82e76ae80e70375caecd5c0653e1d51c9b1619860a4f58d/2200x1600_BradYendleDesignTypography_Qlik1.png" data-mid="116869224" border="0"  src="https://freight.cargo.site/w/1000/i/98640199c3435a6fc82e76ae80e70375caecd5c0653e1d51c9b1619860a4f58d/2200x1600_BradYendleDesignTypography_Qlik1.png" /&#62;&#60;img width="4400" height="3200" width_o="4400" height_o="3200" data-src="https://freight.cargo.site/t/original/i/55b1a70d611778ec84f65510fde3cb5379b3a69de85afde3bfaf03c0472039c0/2200x1600_BradYendleDesignTypography_Qlik2.png" data-mid="116869225" border="0"  src="https://freight.cargo.site/w/1000/i/55b1a70d611778ec84f65510fde3cb5379b3a69de85afde3bfaf03c0472039c0/2200x1600_BradYendleDesignTypography_Qlik2.png" /&#62;&#60;img width="4400" height="3200" width_o="4400" height_o="3200" data-src="https://freight.cargo.site/t/original/i/a93d473f6786cd55c22a67a42d32f9d206221b9be786360af9c4ab66298a5856/2200x1600_BradYendleDesignTypography_Qlik3.png" data-mid="116869226" border="0"  src="https://freight.cargo.site/w/1000/i/a93d473f6786cd55c22a67a42d32f9d206221b9be786360af9c4ab66298a5856/2200x1600_BradYendleDesignTypography_Qlik3.png" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Open House</title>
				
		<link>https://designtypography.com/Open-House</link>

		<pubDate>Tue, 27 Jul 2021 10:48:14 +0000</pubDate>

		<dc:creator>Design Typography</dc:creator>

		<guid isPermaLink="true">https://designtypography.com/Open-House</guid>

		<description>
	Open House











Redesign for Open City, an annual guide used during Open House weekend, which showcases London’s architecture in all 32 boroughs. Put together with the talented Antonio Bertossi — the 144 page print document was built from CSS coding that informed our InDesign stylesheets. Each guide entry had 5 fields: name, address, opening times, how to get there via underground or bus, and short description.&#38;nbsp;

	

	Case study details︎ Editorial art direction︎ Print management
︎ Digital design
︎ Team management

&#60;img width="4400" height="3200" width_o="4400" height_o="3200" data-src="https://freight.cargo.site/t/original/i/2c84f0a2fae21623a6491fe760c95926fd2001aee38e268e952b6345c8b24c08/2200x1600_BradYendleDesignTypography_Open-House1.png" data-mid="116866868" border="0"  src="https://freight.cargo.site/w/1000/i/2c84f0a2fae21623a6491fe760c95926fd2001aee38e268e952b6345c8b24c08/2200x1600_BradYendleDesignTypography_Open-House1.png" /&#62;&#38;nbsp;&#60;img width="7087" height="5008" width_o="7087" height_o="5008" data-src="https://freight.cargo.site/t/original/i/d758475ed68c9ba46e2b54260207c805bb9840d4e36fbba34098f669807729d3/Brad_Yendle_Design_Typography_068.jpg" data-mid="114781027" border="0"  src="https://freight.cargo.site/w/1000/i/d758475ed68c9ba46e2b54260207c805bb9840d4e36fbba34098f669807729d3/Brad_Yendle_Design_Typography_068.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>CNN Sport</title>
				
		<link>https://designtypography.com/CNN-Sport</link>

		<pubDate>Mon, 26 Jul 2021 10:39:13 +0000</pubDate>

		<dc:creator>Design Typography</dc:creator>

		<guid isPermaLink="true">https://designtypography.com/CNN-Sport</guid>

		<description>
	CNN Sport&#38;nbsp;
Digital design for the London bureau of CNN. Working with then Creative Director Matt Brown, I worked closely with John Sinnott and his sports team, producing varied campaigns for global sports events for cycling, football, sailing and rugby. &#38;nbsp;&#38;nbsp;

	



	Case study details︎ Brand identity
︎ Editorial art direction

︎ Illustration commissions
︎ Website design (Sketch)︎ Animation (After Effects)︎ Social media design

&#60;img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/2ee81d61974cdec2297506fc10c9cd93a3ab78a9b01a27129b0731eb1a0831f8/16x9_BradYendle_DesignTypography_CNN_1.png" data-mid="116789019" border="0"  src="https://freight.cargo.site/w/1000/i/2ee81d61974cdec2297506fc10c9cd93a3ab78a9b01a27129b0731eb1a0831f8/16x9_BradYendle_DesignTypography_CNN_1.png" /&#62;︎︎︎‘America’s Cup A-Z’ interactive, with animating graphics. Using the graphic language of semaphore flags, and featuring large full screen sports photography.&#38;nbsp;&#38;nbsp;

&#60;img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/84bb94741393ee213f0ef232c970125973b962d7c87e27057e7bd5ae843d19b0/16x9_BradYendle_DesignTypography_CNN_3.png" data-mid="116789067" border="0"  src="https://freight.cargo.site/w/1000/i/84bb94741393ee213f0ef232c970125973b962d7c87e27057e7bd5ae843d19b0/16x9_BradYendle_DesignTypography_CNN_3.png" /&#62;

&#60;img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/e26a7f026d3af315891d6f93858f9083ebc43e1c4069cd632fe3a59df982e096/16x9_BradYendle_DesignTypography_CNN_22x.png" data-mid="116788992" border="0"  src="https://freight.cargo.site/w/1000/i/e26a7f026d3af315891d6f93858f9083ebc43e1c4069cd632fe3a59df982e096/16x9_BradYendle_DesignTypography_CNN_22x.png" /&#62;︎︎︎CNN Cycling, La Vuelta a España – with animating illustrations by Alec Doherty.
&#60;img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/4c7dd7d769fdbb48877b7ff425b0479b76300666451a410d7275eab2c76468d7/16x9_BradYendle_DesignTypography_CNN_42x.png" data-mid="116789045" border="0"  src="https://freight.cargo.site/w/1000/i/4c7dd7d769fdbb48877b7ff425b0479b76300666451a410d7275eab2c76468d7/16x9_BradYendle_DesignTypography_CNN_42x.png" /&#62;︎︎︎Rugby World Cup social media designs.

</description>
		
	</item>
		
		
	<item>
		<title>Charliefourlegs</title>
				
		<link>https://designtypography.com/Charliefourlegs</link>

		<pubDate>Mon, 26 Jul 2021 10:39:15 +0000</pubDate>

		<dc:creator>Design Typography</dc:creator>

		<guid isPermaLink="true">https://designtypography.com/Charliefourlegs</guid>

		<description>
	
Charliefourlegs
 A startup of mine, and a labour of love.&#38;nbsp;Charliefourlegs — 100% original, vintage Charles and Ray Eames fibreglass chairs manufactured by Herman Miller and imported from the USA. A brand identity with a fluid handwritten 1950s vibe, and colourful art direction and photography, online store produced in Shopify. Large ‘C4L’ typography is an adaption of Eames Numerals by House Industries.&#38;nbsp;






	

	
	 

	Case study details︎ Brand identity
︎ Editorial art direction

︎ Bespoke typography

︎ Print design︎ Website design (Sketch, Shopify)︎ Animation (After Effects)︎ Exhibition / trade show design︎ Social media design


&#60;img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/5162db32043d62c02f462914732003831f359c63926d482778b49e4fb6370e6b/16x9_BradYendle_DesignTypography_C4L_1_new.png" data-mid="116283807" border="0"  src="https://freight.cargo.site/w/1000/i/5162db32043d62c02f462914732003831f359c63926d482778b49e4fb6370e6b/16x9_BradYendle_DesignTypography_C4L_1_new.png" /&#62;︎︎︎ Homepage. Photography at IYA Studio by Ben Blossom. &#38;nbsp;

&#60;img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/c5668e851579bdd124d62ffdb1d99d1bd751ed7ee5da732a9ac672b6285d355a/16x9_BradYendle_DesignTypography_C4L_2.png" data-mid="115970770" border="0"  src="https://freight.cargo.site/w/1000/i/c5668e851579bdd124d62ffdb1d99d1bd751ed7ee5da732a9ac672b6285d355a/16x9_BradYendle_DesignTypography_C4L_2.png" /&#62;︎︎︎ A6 marketing postcards, with ‘original only’ handwriting. Photography by Anton Rodriguez, Eames numerals typography by House Industries.&#38;nbsp;

 
&#60;img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/0e0be32ffbb182b2a4fc64ee53ea15749d255093ae55a0fcdc4acbc875c05db2/16x9_BradYendle_DesignTypography_C4L_5.png" data-mid="115970772" border="0"  src="https://freight.cargo.site/w/1000/i/0e0be32ffbb182b2a4fc64ee53ea15749d255093ae55a0fcdc4acbc875c05db2/16x9_BradYendle_DesignTypography_C4L_5.png" /&#62;

	&#60;img width="1800" height="1800" width_o="1800" height_o="1800" data-src="https://freight.cargo.site/t/original/i/fe90b0c18c3efbdf1850c56e4841115a69fe07ccfb33ba1440f02b2d8d1d28b5/1x1_BradYendle_DesignTypography_C4L_6b.png" data-mid="116284124" border="0"  src="https://freight.cargo.site/w/1000/i/fe90b0c18c3efbdf1850c56e4841115a69fe07ccfb33ba1440f02b2d8d1d28b5/1x1_BradYendle_DesignTypography_C4L_6b.png" /&#62;
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︎︎︎ (L-R) RISO swing tags printed by Pagemasters. Tandem shell unit in 4 colours. 

&#60;img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/282bc549892939ca0e06d568969a06dccf44b8605196b3f963597f4b41cbcdfd/16x9_BradYendle_DesignTypography_C4L_7.png" data-mid="115970774" border="0"  src="https://freight.cargo.site/w/1000/i/282bc549892939ca0e06d568969a06dccf44b8605196b3f963597f4b41cbcdfd/16x9_BradYendle_DesignTypography_C4L_7.png" /&#62;︎︎︎ A6 marketing postcards, and original 1960s Herman Miller catalogue by George Nelson Associates.&#38;nbsp;

&#60;img width="3200" height="4000" width_o="3200" height_o="4000" data-src="https://freight.cargo.site/t/original/i/967bc0d19c8e3726da4405cd56e410f2257a938fc7c30cbfdaa6489d198eb9b0/4x5_BradYendle_DesignTypography_C4L_8.png" data-mid="115970768" border="0"  src="https://freight.cargo.site/w/1000/i/967bc0d19c8e3726da4405cd56e410f2257a938fc7c30cbfdaa6489d198eb9b0/4x5_BradYendle_DesignTypography_C4L_8.png" /&#62;︎︎︎ Two colour graphic backdrop, with armshell in foreground. &#38;nbsp;</description>
		
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	<item>
		<title>Laurence King</title>
				
		<link>https://designtypography.com/Laurence-King</link>

		<pubDate>Tue, 27 Jul 2021 16:18:21 +0000</pubDate>

		<dc:creator>Design Typography</dc:creator>

		<guid isPermaLink="true">https://designtypography.com/Laurence-King</guid>

		<description>
	
Laurence King&#38;nbsp;
A series of books on graphic design history for Laurence King curated by Rick Poynor. Versatile grid with ability to showcase different disciplines of design: book graphics (HN Werkman, Chip Kidd), film titles (Kyle Cooper), and comic books (Chris Ware).&#38;nbsp;

	

	Case study details
︎ Editorial art direction︎ Book design︎ Bespoke typography



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